Pigtail Sally

In 1935, right around the time that Ideal was producing their Shirley Temple doll, Pigtail Sally was introduced to the American market. Pigtail Sally is another composition doll produced by Ideal, and like many Shirley Temple dolls, she has flirty eyes and a dimple in her chin. Unlike the Shirley Temple doll, Ideal did not have to pay royalties to Shirley Temple to manufacture her.

Pigtail Sally is also known by other names: Cinderella, Little Princess, Mary Jane, Betty Jane and Miss America. All of them use the same face mold and can range in size from 13 inches to 20 inches tall. She is jointed at the neck, shoulders and hips and is a strung doll.

My Pigtail Sally is 16 inches tall and wears a factory-made starched dress and pinafore that looks original to her. She also wears rayon socks and oilcloth shoes that look original. Her composition and face paint is immaculate, but her eyes were crazed and someone attempted to enhance them. Pigtail Sally (or Pigtails, as she is sometimes known), is a wigged doll. She is marked on her back, U.S.A. 16. I love her flirty eyes which still work. She has a little felt tongue and four teeth.

Ideal's Ginger often gets mistaken for Pigtail Sally.  Ginger uses the Shirley Temple face mold and wears her hair in pigtails. As you can see from these photos, Pigtail Sally's face is slightly different to Shirley Temple's.

Pigtail Sally is a charming addition to my composition dolls collection. For whatever reason, Pigtail Sally seems to be hard to find, so if you come across her, you might want to giver her a home.

Doll Land update

My husband and I attended a local doll show yesterday. Yes, believe it or not, he likes going to them as much as I do because doll shows are more than just about dolls. There were teddy bears, tin toys, and old pedal cars. Attending a doll show is like a step back into your childhood, and we had lots of fun.

While there, I picked up a hand sewn dress for my Rosebud doll, as well as some shoes. She was never dressed in her original costume, so I figured that she may as well be dressed in something pretty. So, here she is, all decked out in a new red gingham dress and red patent shoes. She wears her original rayon socks and underwear, but now looks as if she's ready for a Sunday morning go-to-meeting.

I've also added another Monica Studio doll to my collection. This doll is smaller than the others. She stands 18 inches tall, but like her sisters, she is also made of composition, putty, and has rooted human hair. Sadly for this doll, most of her hair has broken off, so I purchased a human hair doll wig that pretty much is the same style that she had originally. Her dress and hat appear to be original to her and are made of taffeta. She has lovely violet eyes that remind me of the late Elizabeth Taylor. If you look at all of my Monica Studio dolls, you'll see that their faces are all slightly different. Aren't they gorgeous, though?

Click on photos to enlarge.

Snow White and Rosebud

Do you remember the story of Snow White and Rose Red from Grimm's Fairy Tales? Well, I've got Snow White and Rosebud dolls.

Snow White dolls became popular in the late 1930s after the release of Snow White by Walt Disney. Not everyone manufacturing a Snow White doll was licensed like Madame Alexander and Ideal, so to get around this, one company made a Snow White doll with blonde hair.

This composition doll stands 13.5 inches tall and sports a blue bow in her hair.  She has side-glancing painted eyes. She is unmarked, but she is unmistakably designed to look like the Disney Snow White. Sadly, I have never seen this doll offered for sale with her original outfit, and indeed, my Snow White is wearing a satin underdress and robe that, while old, is obviously a replacement.  She is wearing her original oilcloth shoes and rayon socks, however.

Snow White can stand independently. Her joints are held tightly with springs instead of elastic, which was a wonderful improvement over other methods. I'm not sure why this didn't catch on with other manufacturers, although I suppose cost is always a consideration. Her neck is not jointed - it is molded with the body.

Snow White's companion is Rosebud. Rosebud is a composition baby doll made in England. She is marked ROSEBUD on the back of her neck. Rosebud has orange sleep eyes and brush lashes, a painted closed mouth, and has five  joints (neck, arms and legs.) Rosebud was manufactured in the 1940s and her composition is in fantastic shape. She also stands about 13.5 inches tall. Her hair is painted, but later Rosebud dolls made in the 1950s, were made from hard plastic and were wigged.

Rosebud looks very much like a composition Pedigree doll, but was made by a Pedigree competitor. Horsman also made a Rosebud doll, but that doll is a little girl and is marked E. I. H. CO. INC.  Rosebud's rayon dress is old but not original, and her shoes are long gone.

Both dolls make a sweet addition to my collection.

Horsman composition dolls

 

I have two Horsman dolls in my collection: a mama doll that was made in the late 1920's, and a Patsy family competitor, called Nan.

The Horsman Doll Company is one of the oldest doll manufacturers still extant. It was founded in 1865 by Edward Horsman and has changed hands several times over the past century. Today, it is run out of Hong Kong and is called Horsman Ltd.  I really like that despite the change of hands, the Horsman name still carries weight.

My Horsman mama doll is typical of dolls made in the late 1920's. She has a soft cloth stuffed body, a "cryer" (that still works), and four teeth. She is 22 inches long with composition head, arms, and legs. Her mohair wig is a replacement and although her clothes are old, they are not original to her. She has tin sleep eyes and is marked EIH Co. Inc. on the back of her neck.

The little boy in this photo is holding a Horsman Baby Bumps (circa 1911.)

Mama dolls were made for little girls (and boys) to cuddle - hence their soft cloth stuffed bodies. It amazes me that they have survived nearly one hundred years with nothing more than some staining or small seam splits. Even the stuffing hasn't settled to a great degree.

Nan* was manufactured in the 1930's in response to the Patsy craze. My Nan is 19 inches tall and all composition with molded hair, sable eyelashes, and tin sleep eyes.  She is unmarked and sometimes gets mistaken for Patsy Ann, although Nan has a noticeable dimple in her chin. She has a toddler body and a bent right arm. I think Nan is just as sweet as Patsy Ann.

Horsman dolls are rather iconic and are a great addition to any vintage doll collection.

*corrected from Jane

Madame Alexander Princess Elizabeth

To commemorate the coronation of King George VI in 1937, Madame Alexander introduced a new celebrity doll. Her name is Princess Elizabeth, and she is made totally of composition, with a mohair or human hair wig, sleep eyes, and is marked Alexander Doll Co/Princess Elizabeth. Dolls range in size from 13 to 27 inches and have open mouths with a felt tongue and teeth. A 17 inch doll, also called Princess Elizabeth, has a closed mouth.

Princess Elizabeth came wearing a gown, drawstring handbag, and a tiara, but parents could also buy other beautiful clothes for Princess Elizabeth. Not all the clothing was tagged, but thankfully, the doll is marked on the back of her neck for identification purposes.

The Princess Elizabeth mold was also used for several other Madame Alexander dolls: McGuffy Ana, Flora McFlimsey, Cinderella, Snow White, and Kate Greenaway, to name a few. What differentiates these dolls from Princess Elizabeth is their hair styles, clothes, and subtle details like freckles in the case of Flora McFlimsey.

My Princess Elizabeth is 16 inches tall and wears her original black leather shoes and rayon socks. Her taffeta gown is a replacement, and her tiara is older than she is and dates from the 1920's. Her necklace is a handmade original. A taffeta bow in her mohair wig complements her gown.

The real Princess Elizabeth was eleven years old when the doll was introduced. King George VI was her father. It's amazing to look at the doll and compare her to the grown woman who is the current reigning monarch of the United Kingdom. Nice to be reminded that we all started out as little children at one time!

Unmarked composition dolls

When I first decided to collect dolls, I had no real idea of where I wanted to start. I just knew that I wanted to collect dolls with sweet faces, that were pre-plastic but post china and bisque. That put me squarely in the range of composition dolls out there.

My first doll was a fairly local purchase from a woman in Australia. The doll is 100% composition, jointed, with a feature that I've not seen in other dolls - ceramic eyes. The irises and pupils are concave. Her hair is a replacement wig, and I've tried to find some kind of marking on her, and the only thing I've been able to find is an inscription written under her neck in pencil. It's quite faded, but is written in the kind of script that was used in the 1920's and 30's - a little flowery and artistic. I wish I could make out what it says. This doll is 18 inches tall. She has a round mouth - another unusual feature. If anyone recognises her, please contact me. I'd love to know more about her. I am guessing that she dates from the 1930's.

The other unmarked dolls include a baby doll, which I swear I have seen in a vintage Christmas short film, and a Black baby doll, who may have been a Patsy competitor. The Black baby doll has tin eyes, painted lashes and is also 100% composition. Her outfit appears to be original as it fits her perfectly and is quite fragile. She is about 12 inches tall and probably dates from the late 1920's. The larger baby doll is a "mama" doll, although her cryer no longer works. Her face is so cute and she has a soft stuffed body. Her face was completely professionally restored and her legs and arms are sealed against crazing. She is about 21 inches tall and probably dates to the 1950's.

None of these dolls are marked, but I got them for various reasons. They are all unique in some way and just add a different dimension to my doll collection.

Celebrity Doll - Sonja Henie

Sonja Henie was an Olympic ice skating champion from Norway. With her blonde girl-next-door looks and athletic abilities, she became a natural for the cinema and starred in several motion pictures in the 1930's and 40's.

Given her prominence and popularity (it's said that at the height of her acting career, she was one of the most highly paid actresses in Hollywood), it was natural that a doll was made in her likeness. In 1939, Madame Alexander released the Sonja Henie doll (a few years after Ideal released Shirley Temple and around the same time that the Deanna Durbin doll was released.)

Sonja Henie is an all composition doll with blonde curly hair and brown sleep eyes. She was available with several skating outfits, and also came with skiing outfits and skis. Sonja Henie dolls range from 14 to 21 inches tall, with the smaller sizes having a twist waist. Her toothed smile and dimples give her face a soft appearance, and her face mold was used for other dolls including a bride doll and some WW2 military dolls. Arranbee also made a Sonja Henie doll with the Nancy Lee head mold.

My Sonja Henie is 18 inches tall. She wears a skating outfit that I haven't been able to identify, new ear muffs, and her skates are original. Her wig is a soft mohair wig. My doll is marked MADAME ALEXANDER SONJA HENIE on the back of her head.

I love these old celebrity dolls. They're great reminders of days gone by.

More Patsy family dolls

With the phenomenal success of Patsy, Effanbee developed several other dolls with the same Patsy type face and right bent arm. These dolls were manufactured in the period from 1929 to 1946

First there was Patsy Ann, essentially a larger version of Patsy; Patsy Lou, Patsy Joan, Patsyette, Patsy Jr, and many others. All of the dolls have a typical Patsy-type face: chubby cheeks, puckered lips, short bobbed hair (some with molded headbands), painted side-glancing eyes or sleep eyes in all different colors with lashes, and a toddler proportioned body. Dolls are all composition. Some dolls came with mohair or caracul wigs.  There were also black versions of these dolls.

The dolls started to wane in popularity and in the last year of their manufacture, 1946, they were unmarked, otherwise, dolls are marked Effanbee and have the doll's name.

I have a Patsy Ann from the early 1930's and a Patsy Jr, from 1946. There's a big difference in the quality of the newer dolls versus the older dolls. I am guessing that when materials became scarce during World War 2, shortcuts had to be made. As you can see on my Patsy Jr from 1946, there is a top layer of paint that is peeling, revealing a lighter tint below. I've seen this on a few Patsy Jrs. Patsy Ann, however, looks almost as good as the day she was purchased. Patsy Ann wears an original dress (don't you love the penguins?) and shoes, and Patsy Jr wears a vintage mommy-made onesie and old oilcloth shoes.

Patsy Ann is 19 inches tall, and Patsy Jr is 11 inches tall. There were plenty of imitators during the years of Patsy's popularity, but one good way to identify your doll, if she is unmarked, is to closely check the pattern in the molded hair. It's unique to Patsy dolls. It's generally straight, slightly parted in the middle, and curves on her cheeks. Some dolls have the molded headband. Patsys did not come with bow loops (a loop of composition through which you can thread a ribbon.)

Patsy's face is so endearing - no wonder she had so many imitators!

Pedigree dolls - older and newer

The Pedigree Doll Company was an English doll manufacturer that was active from the 1930's through the mid 1980's, when it eventually went bankrupt. Dolls are usually marked Pedigree Made in England.

I own three Pedigree dolls which are examples of the Pedigree company through the decades.

The first is a baby boy doll made of composition. He has side-glancing painted eyes and teeth that need a wee bit of work to straighten out. He's in need of a good cleaning, but, as he dates back to the 1930's, he's not in too bad a shape. Baby Pedigree is approximately 16 inches tall.

The next is the much sought-after hard plastic toddler doll made from the late 1940's to the late 1950's. She was a Mama doll, but her cryer is now missing. This adorable dolly was literally rescued from a trash heap. She needed to be re-strung, her torso was split and warped, and her hair was bleached to a strange colour due to being left outside in the sun; however, being the kind of woman who takes pity on old abandoned dolls, I rescued her, and with the help of my husband, we managed to repair her body. She has silicone "collars" where her legs meet her torso so that they don't get pulled in by her new stringing. Her wig is original and full, and I dyed it to help mask the strange green tint that it had, and her eyelashes are replacements. She has flirty sleep eyes that still freely flirt from side to side, even if they don't open and close well any more.

After her body was repaired and some blush restored to her face, she was given a new outfit. Her shoes are original as far as I can tell, and I am eventually going to make a new set of front teeth for her. Truly, restoring this doll has been a labour of love. Toddler Pedigree is about 20 inches tall.

The 1950's was a heyday era for Pedigree. They made toddler dolls, walker dolls, and Brighton Belle, a playpal size doll that stood around 28 inches tall. All are highly collectible and sought after, especially if their plastic hasn't faded and they don't suffer from Pedigree doll disease. Pedigree doll disease is not treatable, unlike other hard plastic doll "diseases."  Once the plastic begins to break down, you may as well throw the poor dolly away, as she will melt over time.

The third Pedigree doll dates from the late 1960's. She's Pedigree's Sindy doll - their teen doll competition to Barbie, Tammy, and other teen dolls of the era.  My Sindy has a twist waist and posable legs. I am fussy about Sindy. When Pedigree went bankrupt in the mid 1980's, Hasbro bought the rights to manufacture the doll, and they changed her look. The Sindy of the 1960's is quintessentially a British Mod doll. Anything else just doesn't feel right. Sindy is 11 inches tall and like Barbie, came with an extensive wardrobe and accessories.

Pedigree dolls are great examples of dolls that were popular in England and other Commonwealth countries in the 1940's through the 1960's. Since living in Australia, I've been introduced to these dolls and love them as much as my American dolls. 

Kewty and Sue

In the late 1920's, toddler dolls started to take the nation by storm. Two such dolls were Amberg's Sue doll (a doll with molded curls and a swivel twist waist) and Arranbee's Kewty. (There was also another version of Kewty made by Domec which more closely resembles a carnival doll.)

Kewty and Sue rode the wave of success that Effanbee's Patsy had created. Toddler dolls with molded hair, about the right size for little hands to hold, became popular. There were also plenty of other imitators that cropped up along the way during the 1920's and 30's (I'll showcase a couple more in another entry.)

My Kewty and Sue dolls appear to be dressed in their original costumes with their original shoes and socks. Sue is about 14 inches tall, and Kewty is about 15 inches tall. Sue is marked on her back:Amberg/Pat. Pend./L.A.& S. © 1928 and Kewty is marked on her back: KEWTY. They both have painted eyes, and to be honest, I think they are just as adorable as Patsy. Both dolls have a little age-related wear, but considering that that are 80 years old, they've held up well over the years.

In these photos, Kewty is on the left, and Sue is on the right.

Arranbee Debu'teen

The Three Graces and a Muse

The Arranbee doll company is known among collectors for creating dolls with beautiful faces. One of these dolls, aimed towards the pre-teen market, was called Debu'teen. As her name implies, this teen doll was intended to be a debutante - or the age at which a girl entered society and was considered to be grown-up.

Debu'teen was made only for two or three years, from what I can tell, between 1938 and 1940. She came in various sizes, from 11" to 22" tall. The larger dolls had cloth bodies, one that was designed so that the doll could be seated more easily. Debu'teen came with beautiful clothes designed to appeal to older girls.

I have four Debu'teen dolls. All are unmarked (not uncommon for these dolls) but are distinguishable by their facial molds, which strongly resemble a larger version of the Mary Hoyer face mold. There is a second face mold doll that I unfortunately don't own, that has wider set eyes and a wider mouth. Three of my dolls have mohair wigs and one has a synthetic wig which may not be original to the doll, although it is certainly very old. It feels like a very early version of saran.

I nicknamed my dolls the Three Graces and a Muse since they are so beautiful and delicate. They all have composition bodies. The larger dolls are 18 inches tall, and the smaller one (which may be a Vogue doll that used the Debu'teen face mold) is 14 inches tall. They all wear their original clothing, with the exception of the blue dress, which is a replica of an original costume. They are truly stunning, dressed in heavy satins, netting, and lace!

Nancy Lee (also made by Arranbee) often gets confused with Debu'teen, but when seen side by side, it's obvious that their faces are quite different. To see more Debu'teen dolls, you can visit DollyHeaven.com.au. Carol Pope restores these dolls to their original beauty and does a great job!

Celebrity Doll - Ideal Deanna Durbin

The Ideal Novelty and Toy Company had a hit on their hands with their Shirley Temple doll. Shirley appealed to little girls everywhere - but what about older girls? Every doll manufacturer covered both their younger and older consumers, so in 1938, Ideal came out with another celebrity doll for their teen consumers: the Deanna Durbin doll.

Deanna Durbin, a native of Winnipeg, Manitoba, is a contemporary of Judy Garland, and they appeared together in a short film called Every Sunday. Ms Durbin became Universal Studio's most popular female star of the 1940's, so Deanna Durbin dolls became popular, as well.

The dolls range in size from 15 to 21 inches (a 24 inch doll was produced in 1938) and are made of composition. They are jointed at the shoulders, neck and hips, have beautiful human hair wigs, brown sleep eyes, and an open, smiling mouth with six teeth. She is marked on the back of her head: Deanna Durbin Ideal Doll, USA.

At the height of Deanna Durbin's career, her image was also used for Ideal's Miss Liberty doll (a Deanna Durbin doll dressed in patriotic outfits with blonde hair), The Queen of the Ice (an ice skating doll also with blonde hair), and a short haired Gulliver doll. The Deanna Durbin doll face mold was modified only slightly for Ideal's Judy Garland doll, which came out in 1940.

My Deanna Durbin is marked and has her original face paint and human hair wig. Her eyes were crazed but have been enhanced. Her dress is a replacement but suits her, and she wears a tiara. My dad once told me he had had a crush on Deanna Durbin when he was a boy, so this doll will always be a little bit special to me.

Dream World Dolls

Dream World dolls are 11 inch composition dolls that were marketed to the "average" family who could not afford more expensive toys.They were sold throughout the 1940's and were available with a range of costumes: historical, ethnic, occupational, and fantasy.

These unmarked dolls have side-glancing painted eyes and mohair wigs that are glued directly to the head, as opposed to being constructed on a skull cap. Their costumes are stapled to their bodies, so costume changes were not intended for Dream World dolls. As a result of very little handling by little mommies, Dream World dolls tend to remain in very good condition. They don't appear to suffer from the same cracking and crazing as other dolls of their era with "better" composition. The dolls wear oil cloth shoes with laces.

I have two Dream World dolls. Both are ladies of the French court. Their costumes have a few age-related holes, but the dolls themselves are in great condition. When you purchase a Dream World doll, you will most likely also purchase her original costume, which makes her a true representation of her manufacture.

These dolls are delightful and aren't costly at all unless you're fortunate to find one with her original hang tags and in her original box. They are a great representation of their era and sometimes get mistaken for Wendy Ann or Tiny Betty dolls; however, the stapled on clothing, glued on floss, and lack of maker's marks gives them away.

Mary Hoyer dolls

 

I think, of all my composition dolls, my Mary Hoyer dolls have to be one of my favorites. All right - they're all my "favorites," but my Mary Hoyer dolls are just that little bit more special. I'm not sure why this is, but I am guessing it's because of their faces. They remind me so much of Botticelli's Venus:

Back in the 1930's, Mary Hoyer, designer and owner of a knitting shop, had an idea. Why not create a doll for girls who are learning to knit and sew, and sell her own patterns for clothes that fit the doll?  She approached the Ideal Toy and Novelty company, who created a doll with a Mayfair twist waist. The dolls were not marked Mary Hoyer, but were marked Ideal, and they wore costumes with a Hoyer label.

A few years later, Mrs Hoyer commissioned a well known doll sculptor, Bernart Lipfert, to sculpt her own doll, and the Mary Hoyer doll was born. The dolls were 14 inches tall, made of composition and had sleep eyes (or painted side-glancing eyes), and mohair wigs. Patterns of dresses and other outfits were sold along with the dolls. The dolls themselves were marked The Mary Hoyer Doll in raised print on their backs.

The original Mary Hoyer doll became a huge success, and after 1946, they were made out of hard plastic. Other dolls in the line followed: Gigi, Margie, Vicky (identical to Uneeda's Suzette doll), Cathy, Janie and Beckie, but their sales at the time did not match the success of the original doll. The Mary Hoyer doll company closed in the early 1970's, but Mary's granddaughter has re-introduced her grandmother's doll with a few changes and the company has been revived.

At a point in her career, Mary Hoyer licensed her doll mold to several companies including Richwood, Hosely, the ABC Toy Company, and de Angeli-Hedwig, so the only way to be sure you own a Mary Hoyer doll, is if it's properly marked.

I have four marked Mary Hoyer dolls, and one unmarked Hoyer face doll in an original historical costume, which may mean that she is a de Angeli-Hedwig doll; however, with no hang tag or other identifying information, that is just a guess. Two of my Hoyer dolls are unretouched and wear knitted or crocheted outfits made from original Mary Hoyer patterns. The other two have had touchups and are redressed. The blue and cream outfit is one made by a talented doll dressmaker, from an original Hoyer pattern. The unmarked Hoyer face doll is wearing tagged Hoyer accessories. All of my dolls are composition dolls, which dates them to 1946 or earlier.

Retouched Mary Hoyer dolls:

 


















Unretouched Mary Hoyer dolls:

 Unmarked Mary Hoyer face doll (de-Angeli-Hedwig?):